In this new collection from Annie Leibovitz, one of the most influential photographers of our time, iconic portraits sit side by side never-before-published photographs. Afterword by Annie Leibovitz. Annie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark books, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. In this new collection, Leibovitz has captured the most influential and compelling figures of the last decade in the style that has made her one of the most beloved talents of our time. Each of the photographs documents contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.

Влиятельный фотограф Энни Лейбовиц представляет свои замечательные портреты в переиздании своей знаменитой и самой продаваемой коллекции. Включает ранее не публиковавшиеся фотографии, эссе Александры Фуллер и послесловие Энни Лейбовиц.«Энни Лейбовиц: Портреты 2005–2016» — продолжение двух ее знаковых сборников «Энни Лейбовиц: фотографии, 1970–1990» и «Жизнь фотографа, 1990–2005». Для этой коллекции Лейбовиц отобрала лучшие и наиболее репрезентативные портреты из своих работ, созданных в период с 2005 по 2016 год. Картины документируют современную культуру с взглядом художника, остроумием и сверхъестественной способностью персонализировать даже самых узнаваемых и выдающихся личностей.В «Портретах 2005–2016 годов» задействовано более 150 персонажей, в том числе Венера и Серена Уильямс, Чимаманда Нгози Адичи, Леброн Джеймс, Шерил Сэндберг, Анна Винтур, Леонард Коэн, Джаспер Джонс, Кейтлин Дженнер, Глория Стайнем, Джоан Дидион, Барак Обама и Королева. Елизавета II.Influential photographer Annie Leibovitz presents her remarkable portraits in this re-issue of her acclaimed and bestselling collection. Including never-before-published photographs, an essay by Alexandra Fuller, and an afterword by Annie LeibovitzAnnie Leibovitz: Portraits 2005-2016 is the photographer's follow-up to her two landmark compilations, Annie Leibovitz: Photographs, 1970-1990 and A Photographer's Life, 1990-2005. For this collection, Leibovitz has selected the best and most representative portraits from her work between 2005 and 2016. The pictures document contemporary culture with an artist's eye, wit, and an uncanny ability to personalize even the most recognizable and distinguished figures.There are over 150 subjects in Portraits 2005-2016, including Venus and Serena Williams, Chimamanda Ngozi Adichie, LeBron James, Sheryl Sandberg, Anna Wintour, Leonard Cohen, Jasper Johns, Caitlyn Jenner, Gloria Steinem, Joan Didion, Barack Obama, and Queen Elizabeth II.

40 лет определяющей эпоху фотографии, теперь в доступном издании. Когда Бенедикт Ташен попросил самого известного фотографа-портретиста, работающего сегодня, Энни Лейбовиц, собрать ее фотографии в книгу размером с SUMO, она была заинтригована этой задачей. На разработку проекта ушло несколько лет, и когда он был наконец опубликован в 2014 году, он весил 26 кг (57 фунтов). Эта невероятная коллекция теперь доступна в доступном книжном формате XXL.Лейбовиц проработала более 40 лет, начиная с фотожурналистики, которую она делала для журнала Rolling Stone в 1970-х, и заканчивая концептуальными портретами, которые она делала для Vanity Fair и Vogue. Она выбрала знаковые изображения, такие как Джон Леннон и Йоко Оно, сплетающиеся в последнем объятии, а также портреты, которые редко, если вообще когда-либо, видели раньше. SUMO Энни Лейбовиц освещала политическую и культурную историю, от королевы Елизаветы II и Ричарда Никсона до Лори Андерсон и Леди Гаги.«То, о чем я изначально думал как о простом процессе воображения того, что хорошо выглядит в большом формате, какие фотографии будут работать в большом формате, стало чем-то другим», — говорит Лейбовиц. «Книга очень личная, но повествование рассказано через популярное.40 years of era-defining photography, now in an accessible edition. When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds). This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before. The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga. “What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular.

«Великолепная антология модных изображений… Лейбовиц — не что иное, как величайший из ныне живущих фотографов-портретистов Америки… она навсегда изменила фэшн-фотографию». — Анна ВинтурУдивительный рассказ легендарного фотографа Энни Лейбовиц о ее контактах с модой на протяжении пяти десятилетий«Оглядываясь назад на свои работы, я вижу, что мода была всегда», — отмечает Энни Лейбовиц в предисловии к «Стране чудес». «Мода играет роль в схеме всего, но фотография всегда на первом месте для меня. Фотография – самая важная часть. А фотография настолько велика, что может охватывать журналистику, портретную съемку, репортажи, семейные фотографии, моду… Моя работа для Vogue подлила масла в огонь для того вида фотографии, который иначе я бы не исследовал».Включает в себя 350 необычных изображений (многие из них ранее не публиковались) с широким и разнообразным кругом сюжетов: Николь Кидман, Серена Уильямс, Пина Бауш, РуПол, Кейт Бланшетт, Леди Гага, Мэтью Барни, Кейт Мосс, Наталья Водянова, Рианна, Чимаманда Нгози. Адичи, Карл Лагерфельд, Нэнси Пелоси. С предисловием Анны Винтур.“[A] gorgeous anthology of fashion images … Leibovitz is nothing less than America’s greatest living photographic portraitist … she has changed fashion photography forever.” – Anna WintourLegendary photographer Annie Leibovitz’s surprising account of her encounters with fashion over five decades‘Looking back at my work, I see that fashion has always been there,’ Annie Leibovitz observes in the preface to Wonderland. ‘Fashion plays a part in the scheme of everything, but photography always comes first for me. The photograph is the most important part. And photography is so big that it can encompass journalism, portraiture, reportage, family photographs, fashion ... My work for Vogue fueled the fire for a kind of photography that I might not otherwise have explored.’Includes 350 extraordinary images (many of them previously unpublished) featuring a wide and diverse range of subjects: Nicole Kidman, Serena Williams, Pina Bausch, RuPaul, Cate Blanchett, Lady Gaga, Matthew Barney, Kate Moss, Natalia Vodianova, Rihanna, Chimamanda Ngozi Adichie, Karl Lagerfeld, Nancy Pelosi. With a foreword by Anna Wintour.

When Benedikt Taschen asked the most important portrait photographer working today, Annie Leibovitz, to collect her pictures in a SUMO-sized book, she was intrigued by the challenge. The project took several years to develop and when it was finally published in 2014, it weighed in at 26 kg (57 pounds).This incredible collection is now available in an accessible XXL book format. Leibovitz drew on more than 40 years of work, starting with the photojournalism she did for Rolling Stone magazine in the 1970s through the conceptual portraits she made for Vanity Fair and Vogue. She selected iconic images—such as John Lennon and Yoko Ono entwined in a last embrace—as well as portraits that had rarely, if ever, been seen before.The Annie Leibovitz SUMO covered political and cultural history, from Queen Elizabeth II and Richard Nixon to Laurie Anderson and Lady Gaga.“What I had thought of initially as a simple process of imagining what looked good big, what photographs would work in a large format, became something else,” Leibovitz says. “The book is very personal, but the narrative is told through popular culture. It’s not arranged chronologically and it’s not a retrospective. It’s more like a roller coaster.”Fans of Leibovitz and her many celebrated subjects can now enjoy that same roller coaster ride for themselves with this unlimited edition.

For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

Annie Leibovitz's photographic breakthrough and Rolling Stone reportageFor more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz's inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz's origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz's development as a young artist and of a pivotal era.Leibovitz's reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon's resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book's pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it's a celebration of life on the road―the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

Annie Leibovitz, our most celebrated living photographer, explains how her pictures are made Leibovitz addresses young photographers and readers interested in what photographers do, but any reader interested in contemporary history will be fascinated by her account of one of the richest bodies of work in the photographic canon. The subjects include photojournalism, studio work, photographing dancers and athletes, working with writers, and making the transition from shooting with film to working with digital cameras. Originally published in 2008, this revised and updated edition brings Leibovitz's bestselling book back into print.

Annie Leibovitz’s photographic beginnings and Rolling Stone reportage For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style. The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era. Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated. Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

For more than half a century, Annie Leibovitz has been taking culture-defining photographs. Her portraits of politicians, performers, athletes, businesspeople, and royalty make up a gallery of our time, imprinted on our collective consciousness by both the singularity of their subjects and Leibovitz’s inimitable style.The catalogue to an installation at the LUMA Foundation in Arles, France, Annie Leibovitz: The Early Years, 1970–1983 returns to Leibovitz’s origins. It begins with a moment of artistic revelation: the spontaneous shot that made Leibovitz think she could transition from painting to photography as her area of study at the San Francisco Art Institute. The meticulously and personally curated collection, including contact sheets and Polaroids, provides a vivid document both of Leibovitz’s development as a young artist and of a pivotal era.Leibovitz’s reportage-like photo stories for Rolling Stone, which she began working for when she was still a student, record such heady political, cultural, and counter-cultural developments as the Vietnam War protests, the launch of Apollo 17, the presidential campaign of 1972, Richard Nixon’s resignation in 1974, and the Rolling Stones on tour in 1975. Then, as now, Leibovitz won the trust of the prominent and famous, and the book’s pages are animated by many familiar faces, among them Muhammad Ali, Mick Jagger, Keith Richards, Ken Kesey, Patti Smith, Bruce Springsteen, Joan Didion, and Debbie Harry, as well as John Lennon and Yoko Ono, captured in their now iconic embrace just hours before Lennon was assassinated.Throughout the book, the portraits and reportage are linked to images of cars, driving, and even a series on California highway patrolmen. In many ways, it’s a celebration of life on the road—the frenetic rhythms, the chance encounters, the meditative opportunities. And with its rich archival aspects, it is also a tribute to an earlier time and a young photographer enmeshed in a culture that was itself in transition.

Vogue has always been on the cutting edge of popular culture, and Vogue x Music shows us why. Whether they’re contemporary stars or classic idols, whether they made digital albums or vinyl records, the world’s most popular musicians have always graced the pages of Vogue. In this book you’ll find unforgettable portraits of Madonna beside David Bowie, Kendrick Lamar, and Patti Smith; St. Vincent alongside Debbie Harry, and much more. Spanning the magazine’s 126 years, this breathtaking book is filled with the work of acclaimed photographers like Richard Avedon and Annie Leibovitz as well as daring, music-inspired fashion portfolios from Irving Penn and Steven Klein. Excerpts from essential interviews with rock stars, blues singers, rappers, and others are included on nearly every page, capturing exactly what makes each musician so indelible. Vogue x Music is a testament to star power, and proves that some looks are as timeless as your favorite albums.

Giorgio Armani is an important new monograph on the Italian designer who changed fashion history. The androgynous look that characterizes many of Armani's collections reflects an exchange between different identities and cultures, resulting in his iconic contemporary style. His designs highlight the qualities of strength in women, just as his menswear collections emphasize a feminine sensuality and tenderness. This volume includes an incredible collection of images by the most famous photographers who have worked with Armani over the years, including Steven Meisel, Mario Testino, and Annie Leibovitz, among others. The result is a vivid and exciting portrait of our times and of the man who, thanks to his innovative designs, has been able to interpret and even anticipate them.

Born in 1926, married in 1947, crowned as Queen in 1953, Her Majesty Queen Elizabeth II carried out her duty with great dedication for more than seven decades. Taschen celebrates her remarkable royal story with a new edition of Her Majesty, a definitive photographic collection of her public and private life. Brimming with history, tradition, fashion, glamour, and culture, the book spans the Queen's early years rightuntil her passing in 2022.. Along the way, we trace her coming of age during World War II; her marriage, motherhood, and coronation; her encounters with such icons of their age as the Beatles, Marilyn Monroe, and JFK; and her extensive international travels. We visit the spectacular royal palaces and enjoy the infectious celebration of royal weddings and jubilees. We witness the elegance of official portraits, and the intimacy offamily moments. As much a showcase of top photographers as a r celebration of her remarkable royal life. Her Majesty includes the work of such luminaries as Cecil Beaton, Studio Lisa, Dorothy Wilding, Karsh, Lord Snowdon, David Bailey, Patrick Lichfield, Annie Leibovitz and many others.

Photography: The Whole Story leads you through the world’s most iconic photographs – those images that have become key reference points in our conception of ourselves and the world around us. • Organized chronologically, it traces the evolution of photography period by period, while detailed timelines provide historical and cultural context • The works of key photographers – such as Henri Cartier-Bresson, Richard Avedon, Annie Leibovitz and Andreas Gursky – are assessed to reveal what motivated them, who influenced whom and what each was striving to achieve • Illustrated focal points single out such aspects as use of colour and visual metaphor, quirks of composition and technical innovation • Includes a diverse and international roster of contemporary practitioners If you love photography and would like to know more, Photography: The Whole Story is for you.

Содержание: A1 God Rest Ye Merry GentlemenMixed By [Additional] – Heff MoraesOud, Drone, Bass, Keyboards, Programmed By – Mike StevensPercussion – Barry Van Zyl, Mark StevensVocals [Vocal percussion], Whistle, Organ [Reed organ], Santoor – Annie LennoxA2 The First NoelBass, Acoustic Guitar, Organ [Church organ], Arranged By [Orchestral arrangement] – Mike StevensPiano – Annie LennoxA3 Il Est Né Le Divin EnfantBass, Acoustic Guitar, Programmed By – Mike StevensChoir – The African Children's Choir*Drums [African drums], Percussion – Barry Van Zyl, Mark StevensPiano, Electric Piano [Rhodes], Panpipes, Harmonium – Annie LennoxA4 See Amid The Winter's SnowAcoustic Guitar, Bass, Arranged By [String arrangement] – Mike StevensPercussion – Mark StevensPiano, Harmonium, Flute – Annie LennoxA5 Silent NightBass, Musical Box, Programmed By, Arranged By [Orchestral arrangement] – Mike StevensChoir – The African Children's Choir*Piano, Marimba, Percussion – Annie LennoxA6 Universal ChildArranged By [String arrangement] – Annie Lennox, Mike StevensBass, Acoustic Guitar, Organ [Hammond organ] – Mike StevensChoir – The African Children's Choir*Percussion – Mark StevensPiano, Keyboards – Annie LennoxWritten-By – Annie LennoxB1 Angels From the Realms of GloryArranged By [Orchestral arrangement] – Annie Lennox, Mike StevensBass, Keyboards, Programmed By – Mike StevensPercussion – Mark StevensPiano, Panpipes, Triangle – Annie LennoxB2 The Holly and the IvyBass, Keyboards, Glockenspiel – Mike StevensChoir – The African Children's Choir*Percussion – Mark StevensPiano, Flute, Drum [African drum] – Annie LennoxB3 As Joseph Was a Walking (The Cherry Tree Carol)Bass, Keyboards, Strings, Organ [Church organ] – Mike StevensChoir – The African Children's Choir*Percussion – Barry Van ZylPiano, Percussion [African percussion], Vibraphone, Flute – Annie LennoxB4 O Little Town of BethlehemAcoustic Guitar, Bass, Programmed By – Mike StevensChoir – The African Children's Choir*Piano, Electric Piano [Wurlitzer], Organ [Pipe organ], Flute – Annie LennoxB5 Lullay Lullay (The Coventry Carol)Bass, Guitar [Nylon guitar], Strings – Mike StevensChoir – The African Children's Choir*Keyboards [Keyboard kora], Drum [Ewe drum], Dulcimer – Annie LennoxPercussion – Barry Van Zyl, Mark StevensB6 In the Bleak MidwinterFlute, Keyboards [Guitar keyboard], Drum [African drum], Harmonium, Accordion – Annie LennoxKeyboards, Programmed By – Mike StevensB7 Dido's Lament======================Limited edition silver foil artwork. Includes download code and 12-page lyrics booklet.Gatefold embossed cover.Vinyl in polylined paper sleeve.========================Формат: Пластинки, LP, Album, Limited Edition, Reissue, Remastered, 10th Anniversary Edition, 180g